Cut & Paste

13 October 2012


Criena Court

PALM SPRINGS 02 (detail)
15×30×5cm plywood assemblage

collage | assemblage

PRIVATE VIEW Tuesday 16 October 6-8pm
13 October – 7 November 2012

Peter Baka | Gina Bruce | Criena Court | Peter De Lorenzo | David Eastwood | Steve Harris | Geoff Harvey | Kyra Henley | Andrew Hopkins | Eugenia Ivanissevich | Elwyn Lynn | Addison Marshall | Richard Morris | Helen Poyser | Brett Whiteley | Maryanne Wick

collage | (From the French: coller, to glue, French pronunciation: [kɔ.laːʒ]) is a technique of art production, primarily used in the visual arts, where the artwork is made from an assemblage of different forms, thus creating a new whole.

A collage may sometimes include newspaper clippings, ribbons, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects, glued to a piece of paper or canvas. The origins of collage can be traced back hundreds of years, but this technique made a dramatic reappearance in the early 20th century as an art form of novelty.

The term collage derives from the French “coller” meaning “glue”. This term was coined by both Georges Braque and Pablo Picasso in the beginning of the 20th century when collage became a distinctive part of modern art.

assemblage | Assemblage is an artistic process. In the visual arts, it consists of making three-dimensional or two-dimensional artistic compositions by putting together found objects. In literature, assemblage refers to a text “built primarily and explicitly from existing texts in order to solve a writing or communication problem in a new context”.

The origin of the artform dates to the cubist constructions of Pablo Picasso c. 1912-1914.The origin of the word (in its artistic sense) can be traced back to the early 1950s, when Jean Dubuffet created a series of collages of butterfly wings, which he titled assemblages d’empreintes. However, both Marcel Duchamp and Pablo Picasso had been working with found objects for many years prior to Dubuffet. They were not alone. Russian artist Vladimir Tatlin creates his “counter-reliefs” in the middle of 1910s. Alongside Tatlin, the earliest woman artist to try her hand at assemblage was Elsa von Freytag-Loringhoven, the Dada Baroness. In addition, one of the earliest and most prolific was Louise Nevelson, who began creating her sculptures from found pieces of wood in the late 1930s.

In 1961, the exhibition “The Art of Assemblage” was featured at the New York Museum of Modern Art. The exhibition showcased the work of early 20th century European artists such as Braque, Dubuffet, Marcel Duchamp, Picasso, and Kurt Schwitters alongside Americans Man Ray, Joseph Cornell, Robert Mallary and Robert Rauschenberg, and also included less well known American West Coast assemblage artists such as George Herms, Bruce Conner and Edward Kienholz. William C Seitz, the curator of the exhibition, described assemblages as being made up of preformed natural or manufactured materials, objects, or fragments not intended as art materials.

  • peter-baka

    Peter Baka

    Juggling Life, Death & Everything 60cm high

  • stephen-bowers

    Stephen Bowers

    What Happened ? (Morris Banksia)
    earthenware, underglaze colour, clear earthenware glaze, on-glaze gold lustre, enamel 7×63cm

  • gina-bruce

    Gina Bruce

    80×77cm watercolour on paper

  • peter-de-lorenzo

    Peter De Lorenzo

    4 panels, overall height 106cm, overall width 162cm
    oil & acrylic on canvas & paper

  • david-eastwood

    David Eastwood

    charcoal & graphite on paper 70×100cm

  • steve-harris

    Steve Harris

    91×122cm acrylic on canvas

  • geoff-harvey

    Geoff Harvey

    BIRD BOX NO. 1
    wood & found objects 41×53×15cm

  • kyra-henley

    Kyra Henley

    paper on paper 35.5×42cm

  • andrew-hopkins

    Andrew Hopkins

    29×24cm mixed media on board

  • eugenia-ivanissevich

    Eugenia Ivanissevich

    Los Mares (Seas) C-type print 97×122cm

  • elwyn-lynn

    Elwyn Lynn

    mixed media on paper 57×77cm

  • Addison Marshall

    60×43×10cm repositionable assemblage

  • richard-morris

    Richard Morris

    Still Life with Quirk 50×50×10cm mixed media

  • helen-poyser

    Helen Poyser

    23.5×18cm watercolour on paper

  • Brett Whiteley

    HEADACHE 1965-66
    oil collage ink plaster sand rear view mirror linseed oil on board

  • maryanne-wick

    Maryanne Wick

    graphite on wood (top), antique photograph mounted on wood 20×15cm

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