Robin Gibson Gallery

modern + contemporary

elizabeth-rankin

Elizabeth Rankin

Two Men and a Bull
50×50cm oil & wax on wood


Elizabeth Rankin

Painting Carnival

10 April – 5 May 2021

The paintings in “Painting Carnival” are based on my memories of the Royal Easter Show as it was when it was held at the Showground in Moore Park. I was fascinated by the side-shows and the livestock competitions. There was a crime tent that displayed photographs and artefacts of “The Pyjama Girl Case” (1934), amongst other historic crimes. I have painted the child’s fascination with the Carnival but also the accused from “The Pyjama Girl Case”, Antonio Agostini and the portraits of those who were part of the investigation of the crime. Somehow the crime tent was as much a side-show as all the other stalls and part of the great wheel of life that the carnival represented.

elizabeth-rankin

Elizabeth Rankin

May
120×90cm oil & wax on linen


elizabeth-rankin

Elizabeth Rankin

Noir
50×50cm oil & wax on linen


elizabeth-rankin

Elizabeth Rankin

Ignore
50×50cm oil & wax on linen


elizabeth-rankin

Elizabeth Rankin

Agostini
120×90cm oil & wax on linen


elizabeth-rankin

Elizabeth Rankin

Surmise
50×50cm oil & wax on linen

or


elizabeth-rankin

Elizabeth Rankin

Alert
50×50cm oil & wax on linen

or


elizabeth-rankin

Elizabeth Rankin

Envy
50×50cm oil on linen

or


elizabeth-rankin

Elizabeth Rankin

Discern
50×50cm oil & wax on linen

or


elizabeth-rankin

Elizabeth Rankin

Easter Show
120×180cm oil & wax on linen


elizabeth-rankin

Elizabeth Rankin

Chook
50×50cm oil on wood


elizabeth-rankin

Elizabeth Rankin

Two Clowns
50×50cm oil and wax on wood

or


elizabeth-rankin

Elizabeth Rankin

Kewpies
50×50cm oil & wax on wood

or


Rankin’s abiding concern as an artist has been investigating uncanny true crime tales that emerge from Australian society. Her interest in such stories comes from an awareness of the disjunction between personal and official histories. As a child her life was influenced by her father’s posttraumatic reaction to his service in World War Two. His enactment of “his stories” bore little resemblance to official commemorations. The memories her father recalled were in the present rather than the past. In such narratives, time collapsed and the past was not the past. Due to her father’s dark stories, her work has focused on the abject and the uncanny. Rankin perceives her drawings to be a sort of visual prose through which she describes Australian criminal mysteries. Broadly speaking, Rankin’s work fits the genre of noir.

Elizabeth Rankin is a Sydney based artist, and current doctoral candidate at the National Art School, Sydney. She has exhibited widely, and last year completed a residency at the BigCI in Bilpin. She has been selected as a finalist for the Mosman Art, Prize, NSW The Parliament En Plein Air, NSW and the Marie Ellis Drawing Prize, QLD.

more about Elizabeth Rankin


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