Robin Gibson Gallery

modern + contemporary

karen-choy

Karen Choy

White rabbit
14×10×18cm ceramic

$700

  • with credit card
  • pay using EFT
    and/or layby


From the VAULT

online exhibition
all works are available to view at the gallery by appointment

guy-gilmour

Guy Gilmour

Big river
92×102cm acrylic on polyester

$6000


paul-maher

Paul Maher

Boatshed
Barrabru Reserve Castlegrag, Cameraygal country
65×54cm oil on canvas

$2000

  • with credit card
  • pay using EFT
    and/or layby


marilyn-mcgrath

Marilyn McGrath

Torso 14 Standing Nude
41×17×17cm bronze

$11000

  • with credit card
  • pay using EFT
    and/or layby


Francis-Roy-Thompson

Francis Roy Thompson

Still Life with Roses
oil on canvas on board 29×29cm

$3600

  • with credit card
  • pay using EFT
    and/or layby


Francis Roy Thompson (1896-1966) was born Mansfield, Victoria, and trained in painting at the National Gallery School in Melbourne and at Westminster School of Art in London. He won the Hugh Ramsay Prize for Portrait Painting in 1922, which enabled him to travel overseas.
On his return from a subsequent overseas trip in the early 1930s he took up the post of Art Master at Scotch College in Melbourne. He won the highly regarded Crouch Memorial Prize in 1943.
After resigning from his teaching position in 1946 he devoted his life to painting and began travelling and exhibiting in New South Wales, Queensland, Tasmania, Western Australia, the Northern Territory and, finally, South Australia, where he resided for the last 18 years of his life.
In Adelaide he won the Jubilee Prize in 1951 and, in 1956, the Cornell Prize, offered by the Contemporary Art Society of South Australia. He is represented in the National Gallery of Victoria, Art Gallery of South Australia, Tasmanian Museum and Art Gallery and regional galleries of Ballarat, Bendigo, Hamilton, Benalla, Broken Hill and Launceston.
The artist believed no artist should fail to continue to develop. Francis Roy Thompson passed through a wide range of completely different but logically related phases, having pursued an individual and independent course from academicism towards his own particular brand of expressionism and, finally, non-objectivity.



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