Sandra Taylor

Sandra Taylor
Long Distance Swimmer
45×46cm
Multi fired, underglaze painted, fired to 1100°c
From Powerhouse Museum, Sydney
Sandra Taylor (b. 1942) trained at East Sydney Technical College in 1965-66, and in the early 1970s moved away from making functional wares in the Anglo-Oriental style, towards making painted and modelled narratives of Australian life. These have usually been humorously and critically observant of some aspect of Australian ‘norms’, and over the years she has made these observations through metaphors as diverse as pigs, savaloys, palm trees, dogs, cattle, houses, swimming pools and pencil pines.
The Museum has some modelled works from 1979. This plate is the culmination of a 1992 series ‘Yarns from the Bush’, made after Taylor had moved to Buccarumbi in northern NSW. Most of the series was exhibited at the Macquarie Galleries but this one was made later, and she considers it a most significant example of that group. Later work (included in the file) extends this painted work onto three dimensional objects like houses, in the ‘Romantic Dividends’ series of 1996.
Sandra Taylor, along with Lorraine Jenyns and Mark Thompson, was among the first of the 1970s potters to successfully shift from a prevailing functional aesthetic, and has consistently pursued particular themes. She has been influential on a large number of ceramic artists since that time. This is an excellent example of her painted work of the 1990s.
She identifies the motifs in this plate as ‘symbolic bush language’ that she has intuitively evolved over some time. eg: The dog turns into a cow, a person sometimes becomes a cow (see the figure with double heads), sometimes a creature becomes a tree or a branch. The eye symbol is a watcher (in early days this was a galah, then a dog, and is now an eye).
See ‘Yarns from the Bush’ article from Craft Arts 1992; article by Helen Stephens in Ceramics: Art and Perception (1996).
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Sandra Taylor
Variable Increments (view 2) 54×33cm
Multi fired, underglaze painted, fired to 1100°c
SOLD -

Sandra Taylor
Variable Increments (view 1) 54×33cm
Multi fired, underglaze painted, fired to 1100°c
SOLD -

Sandra Taylor
Unsecured Dividends
60×34cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Unbroken Memory (view 2)
52×20cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Unbroken Memory (view 1)
52×20cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Spoils of Victory (view 2) 54×36cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Spoils of Victory (view 1)
54×36cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Speculative Investor (view 2) 51×20cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Speculative Investor (view 1)
51×20cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Private Warning (view 1)
49×20cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Pool Filler (view 2)
46×32cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Pool Filler (view 1)
46×32cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Lap Swimmer (view 2)
44×35cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Lap Swimmer (view 1)
44×35cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Joint Equity (view 12)
57×34cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Joint Equity (view 1)
57×34cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Glorious Home Fabulous Pool (view 2)
40×36cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Glorious Home Fabulous Pool (view 1)
40×36cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Fabulous Home Glorious Pool (view 1)
40×35cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Fabulous Home Glorious Pool (view 1)
40×35cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Cul de Sac Romeo (view 2)
48×49cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Cul de Sac Romeo (view 1)
48×49cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Cone of Silence (view 2)
51×28cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Cone of Silence (view 1)
51×28cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Celestial Boa (view 2)
56×36cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Celestial Boa (view 1)
56×36cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Blue Chip Investment (view 2)
56×30cm
Multi fired, underglaze painted, fired to 1100°c -

Sandra Taylor
Blue Chip Investment (view 1)
56×30cm
Multi fired, underglaze painted, fired to 1100°c
Exhibitions
- 2010
- Sculpture 22
Biography
- 1942
- Born in Sydney, Australia
- 1967
- Graduated from East Sydney Technical College
- 1968 – 1977
- Taught ceramics – High Schools, Technical Colleges, Sydney Teachers’ College, Sydney College of the Arts
- 1972
- Established own studio in Balmain
- 1974
- Grant received from Crafts Board
- 1977
- Awarded Gold Medal of the Faenza Credito Romagnolo
- 1982
- Moved to Northern New South Wales
- 1993
- Sandra’s property became a centre for creative exploration “Blackadder Creative Retreat”
- 1995
- Visual Arts Craft Fund Fellowship
- 1997
- Final workshop. Property sold
Solo Exhibitions
- 1996
- Chapman Gallery, Canberra
- 1992
- Macquarie Galleries, Sydney
- 1988
- Moree Plains Regional Gallery
- 1987 & 1979
- Realities Melbourne
- 1986 & 1981
- Robin Gibson Gallery, Sydney
- 1977
- Art of Man Gallery, Sydney
Commissions
- 1989
- Bligh Park Shopping Centre mural, Windsor
- 1987
- Harbourside Festival Marketplace, Darling Harbour Sydney, mural
Selected Group Exhibitions
- 2010
- “Sculpture 22” Robin Gibson Gallery, Sydney
- 2009
- “Small is the new Big” Robin Gibson Gallery, Sydney
- 1997
- “Australische Keramic” Gallery Handwerk, Munich Germany
- “Sidney Myer Fund International Ceramics Award” Shepparton Gallery Victoria
- “The Fletcher Challenge Ceramics Award” Auckland NZ
- “Ceramics” Ray Hughes Gallery, Sydney
- “Kutani International Decorative Ceramic Exhibition” Japan
- “Sculptural Objects, Functional Art” (SOFA) Chicago, USA
- 1995
- “Out of the Void” Queensland Art Gallery
- “Designex” Darling Harbour Exhibition Centre, Sydney
- “Delinquent Angel” Faenza Italy (then touring Australia)
- 1994
- “Pots and Platters” recent Australian ceramics from the Powerhouse Museum and other collections, Penrith Regional Gallery
- “Craft Australia” for collectors’ circle of the American Craft Museum
- 1993
- “Fresh Clay” Australian Craft Centre, Melbourne
- “Messa Berlin” Tradefair Exhibition, Germany
- “From Func to Functional” McWhirter’s Art Space Brisbane
- “12th National Gold Coast Ceramic Award”
- 1992
- “Decorated Clay” Queensland Art Gallery (touring)
- “Australian Landscapes” Gold Coast City Art Gallery
- “Expo 92” Australian Pavilion Seville Spain
- “11th National Gold Coast Ceramic Art Award”
- “Indoor Landscapes” Craft Council of Queensland
- 1991
- “Australian Crafts in Chicago” (C I N A F E ’91)
- “Australia Pacific World Craft s Exhibition” Kyoto Japan
- “David Jones” Australia Day Crafts Exhibition, Sydney
- “Craft Expo ’91” Exhibition Centre, Darling Harbour, Sydney
- “Decorated Vessel” 6th National ceramic conference, McWhirter’s Art Space, Brisbane
- “The Vessel” Gold Coast City Art Gallery
- 1990
- “Three Artists from Australia”; part of Australia’s contribution to the New Zealand 1990 Commonwealth Games
- 1988
- “20×20 Crafts in Society (1970-1990)” Crafts Council NSW touring exhibition
- 1986
- “Clat Statements“2nd National Darling Downs Survey
- 1983
- “Aspects of Australian Crafts” Powerhouse Museum, Sydney
- “Australian Decorative Arts – the past 10 years” National Gallery of Australia, Canberra
- 1982
- “Contemporary Australian Ceramics” National Gallery of Victoria touring NZ & USA
- 1981
- “Contemporary Australian Ceramics” Ivan Dougherty Gallery, Sydney
- 1979
- “European Dialogue” 3rd Biennale of Sydney
- 1978
- “Australian Craft- A Survey of Recent Work” touring major Australian Sate Galleries
- 1976
- “35th Concorso Internationale d’Arte Ceramica” Faenza, Italy
- 1973
- “Australian Ceramics” Sydney Opera House opening festival exhibition, CLM Gallery, Sydney
Public Collections
- 1996
- Powerhouse Museum, Sydney
- 1994
- Grafton Regional Gallery
- Tweed Heads Regional Art Gallery
- 1993
- Queensland Art Gallery
- Shepparton Art Gallery
- Bathurst Regional Art Gallery
- Campbelltown City Council Regional Gallery
- 1992
- Gold Coast City Art Gallery
- Queensland University of Technology
- 1991
- National Gallery of Victoria
- Queensland Art Gallery
- Gold Coast City Art Gallery
- 1989
- New England Regional Art Museum
- City Art Institute, Sydney
- Ipswich City Council Regional Art Gallery
- Brisbane City Council
- Orange Regional Art Gallery
- 1988
- Gold Coast City Art Gallery
- 1987
- National Gallery of Victoria
- Bathurst Regional Art Gallery
- Darling Downs Institute, Toowoomba
- 1986
- Art Gallery of Western Australia, Perth
- 1984
- Powerhouse Museum, Sydney
- 1983
- National Gallery of Australia, Canberra
- Orange Regional Art Gallery
- Powerhouse Museum, Sydney
- 1982
- National Gallery of Australia, Canberra
- 1980
- Powerhouse Museum, Sydney
- Queensland Art Gallery
- 1979
- National Gallery of Victoria
- Arts Victoria Festival Collection
- Art Bank, Sydney
- The Phillip Morris Collection, Sydney
- Art Gallery of Western Australia, Perth
- Rockhampton City Art Gallery
- Geelong City Art Gallery
- 1978
- National Gallery of Australia, Canberr1977:Art Gallery of South Australia, Adelaide
- Crafts Board of Australia
- Melbourne University Art Gallery
- Melbourne State College
- Wollongong City Art Gallery
- International Museum of Ceramics, Faenza, Italy
Private Collections
- Baker McKenzie Collection, Sydney
- Jack Benrova collectors’ circle of American Craft Museum
- David J Evans President MGM/United Artists, USA
- Sir Elton John, UK
- Tim Storrier, Sydney
- Geoffrey Proud, Sydney
- Brett & Wendy Whiteley, Sydney
- Sir Michael Parkinson, UK
- Mark & Eva Besen, Melbourne
- Lord McAlpine, UK
- James Erskine, Sydney
- Margaret Tuckson, Sydney